Theses
The Refusal of the Work of Art: Aesthetics and Autonomy in Italy, 1965-1985 (2023)
Nothing Behind the Mask: An Arendtian Approach to Virtual Worlds and the Politics of Online Education (2011)
“Truth Set to Work: Overcoming Nihilism By Establishing Cultural Paradigms Through Art” (2006)
“The Croton Dam and the Demographics of a County: The Public Works Projects of the 19th Century as the Catalyst for Immigration in Westchester County, New York” (2005)
Book Chapters
“Sonic Topographies of the South: Rural Futurity as Resonance and Dissonance,” in Risonanze e coesistenze / Resonances and coexistences. (2022)
“Queer Noise: Sounding the Body of Historical Trauma,” with Samuel R. Galloway, in Toward Gender Equality in the Music Industry: Education, Activism and Practice. (2019)
Articles
“Noise Politics: Sounding the Commons of Catastrophe,” with Samuel R. Galloway. [in progress]
“Radiophonic Arts and the Problem of the Stage,” Canadian Electroacoustic Community – eContact! 19.2 (2017)
“The Other Side of the Coin Coin: Matana Roberts’ River Run Thee,” dpi. 31 (2015)
“Martin Tétreault’s Turntable Quartet in Akousma 9,” Canadian Electroacoustic
Community – eContact! 14.3 – Turntablism. (January 2013)
“The Legacy of Situationist Psychogeography: Its Relational Quality and Influence on Contemporary Art” (2008)
Essays
Seeing Through Sound (2020)
On the Tenzier Label (2018)
“Back to the Lab: Hip Hop, Electronic Music, and the Studio in the Popular Imagination” (2017)
On the Return of Senufo Editions (2017)
Hysteresis (2017)
Bias (2016)
Tristes Tropiques (2016)
Climata (2016)
“Signs and Sensibility: On the Saturation Machine” (2016)
“The Duty to Listen” (2015)
“On the Pedagogical Organization of Record Collections” (2014)
“A Machine in the Garden” (2014)
“The Real Cost of Austerity,” Ultimatum Vol. 13, No. 2 [English Print edition], (January 2014)
“Postcards from Italy” (2013)
Do long rental board wait times favour landlords? (2012)
“Congo, Coltan, and Colonialism” (2011)
“Paint a Vulgar Picture: New Patrons for the Arts?” (2011)
con fuoco d’occhi un nostalgico lupo (2010)
“But who, we?” On Derrida’s Ends of Man (2005)
Multimedia Projects
CENSOR’s Q. and not U. (or, Conspiracy Means To Breathe Together) – a plunderphonic radio play for [DISINFORMATION CULTURES] (2021)
“The Kids Are Not Alright,” with Samuel R. Galloway, Carceral Notebooks. 10. (2014)
Book Reviews
“Resistance Comes First: Pirate TV as Postmedia Activism”: Review of Alessandra Renzi’s Hacked Transmissions. Cultural Critique, Number 120, (Summer 2023)
Sound Unseen by Brian Kane, Journal of Sonic Studies, (August 2015)
Music Journalism
UnSound Propositions: Unsound 2018 ~ PRESENCE (2018)
Suoni per il Popolo (2013/2014)
Quebec’s other other monumental music fest (FIMAV / Victo) (2013)
Visual speed in Dromos (2013)
A Closer Look: MUTEK (2013)
A Closer Look: Montreal’s AKOUSMA Festival (2012)
Swans at POP Montreal (2010)
Conversations
Will Robin & Kerry O’Brien – On Minimalism (2023)
Patrick Nickleson (2023)
France Jobin (2023)
Cruel Diagonals (2023)
Andrea Belfi (2023)
A Closer Listen (2023)
Gabriel Bogart (2023)
Giuseppe Esposito / Archivio Diafònico (2023)
Jessica Moss (2022)
Bruce Adams / kranky (2022)
Matmos (2022)
Maria Chavez (2022)
Patrick Shiroishi (2022)
The World According to Sound (2022)
Esther Bourdages (2021)
DeForrest Brown, Jr. (2021)
Max Alper / La Meme Young (2021)
Roger Tellier-Craig / Fly Pan Am (2021)
GENG PTP / MF DOOM Tribute (2021)
GENG PTP (2021)
Fabio Zuffanti on Franco Battiato (2021)
AMULETS (2021)
Serdar Kökçeoğlu, on Güngör & İlhan Mimaroglu (2020)
Ipek Gorgun (2020)
François J. Bonnet / Kassel Jaeger / InaGRM (2020)
KMRU (2020)
Bruno Stucchi / Die Schachtel (2020)
Leland Jackson / Ahnnu / Cakedog (2020)
François J. Bonnet on Éliane Radigue (CultMtl) (2019)
Alvin Curran / Musica Elettronica Viva (2019)
Beatrice Ferrara & Leandro Pisano (Liminaria) (2019)
Gonçalo F Cardoso (Gonzo) / Discrepant (2019)
The Tapeworm (2019)
Félicia Atkinson / Shelter Press (2019)
Joe McKay (Dinzu Artefacts) (2019)
Raffaele Pezzella (Sonolygyst, Unexplained Sounds Group) (2019)
Toni Cutrone (Mai Mai Mai) (2019)
Mimmo Napolitano (SEC_, Le Digestion) (2019)
Andrew Khedoori (Preservation, Longform Editions) (2019)
Rutger Zuydervelt (Machinefabriek) (2019)
Joseph Branciforte (& Theo Bleckmann) / Greyfade (2019)
John Daniel (Forest Management) (2019)
Phillip Johnston (The Microscopic Septet, Fast ‘N’ Bulbous) (2019)
Efraín Rozas / La Mecánica Popular (2019)
Lea Bertucci (2019)
Resina (2019)
Nicola Ratti (2018)
Lawrence English (2018)
Gregory Euclide (THESIS Project) (2017)
Taylor Deupree / 12k (2017)
Marcus Fischer (2017)
Christina Vantzou (2016)
Laibach (2015)
Kate Carr / Flaming Pines (2015)
Mark Fell (2014)
Linear Obsessional’s Richard Sanderson on ‘For Syria’ (2014)
Kyle Bobby Dunn (2014)
Radwan Ghazi Moumneh / Jerusalem in my Heart (2014)
Lemures (Enrico Coniglio + Giovanni Lami) (2014)
Giuseppe Ielasi / Senufo Editions (2014)
Pete Swanson / Yellow Swans (2013)
Esmerine (2013)
John Butcher (2013)
Brian Shimkovitz / Awesome Tapes from Africa (2013)
Rhys Chatham (2013)
Sam Shalabi and Stefan Christoff (2013)
SEC_ & Mario Gabola / Aspec(t) (2013)
Gianmarco del Re (2013)
steve roden (2013)
Leonardo Rosado (2013)
Matteo Uggeri (2012)
Hunter Hunt-Hendrix / Liturgy (2012)
Francisco Lopez (2012)
Rutger Zuydervelt / Machinefabriek (2012)
Jára Tarnovski (2011)
Black Swan (2010)
Christopher Tignor (Slow Six, Wires.Under.Tension) (2010)
Sparkle in Grey (2009)
From Monument to Masses (2008)
[earlier to be completed]
Interviews / Press
Radia Show 924 | Ritmi rurali Joseph Sannicandro for Radio Papesse (2022)
Montreal, Your Ears Are My Island (2021)
Concrete Shelves (2018)
Secret Thirteen (2014)
Translations
Umberto Eco, “Subversive Communication Nine Years After 68” (2023)
Luciano Berio, “Comments on Rock” (2020)
Roberto Calasso, “The Pleasure of Emptiness” (2020)
Domenico Napolitano, “Significant scores” (2020)
Domenico Napolitano, “The engulfing machine of Henri Chopin” (2018)
Enrico Coniglio, “noWHere: Manifesto for Sound Artists” (2014)
Miscellanea
“Everything is in Everything” – On Jacques Rancière, The Ignorant Schoolmaster (2011)
“Improvised Order: Hypertextual Media and Future Subjectivities” (2010)
Sound Propositions 