The Sound Propositions podcast began with a 12-episode first season in 2019. A 6-episode second season began in Autumn 2020. We hope to return in the future, for now, please subscribe wherever you get your podcasts, and recommend to anyone who may be interested. You can support on Patreon for as little as $1/month, or send a one-time donation via PayPal.
Sound Propositions the podcast has the same mission statement as the written Sound Propositions features: to share in depth discussions with artists whose work we love, to delve into the details of their creative practice.
After 100 mixes as part of the Lost Children net label, I decided it was time to switch things up, and while this new series maintains something of the feeling of a mix, it is also something entirely different, as each episodes foregrounds the voice of the subject.
But this isn’t the kind of series where two people sit in front of some microphones chatting, either. I’ve tried to mostly downplay my own voice and let my presence be felt instead in the framing, the editing, and the sound design.
I’ve been a big fan of radio, radio art, and podcasts for a long time, and while I’ve produced segments for community radio before, I decided it was time to try to do something on a more regular schedule, something that would allow me to explore sound itself rather than simply write about it. Since writing my dissertation has occupied so much of my time of late, working with sound in this way seemed to be a good diversion. Sound Propositions the written feature will continue at whatever pace I can manage, but Sound Propositions the podcast should be up with a new episode fortnightly.
Sound Propositions should be available wherever you get your podcasts, so please keep an eye out and subscribe (and rate and review, it helps others who might be interested find us). New episodes will be published every two weeks. Please follow the show on iTunes, Sticher, RadioPublic, RSSradio, or wherever you get your podcasts.
SP on Anchor
Episode 1: (PRESENCE, or ) A METAPHYSICS OF ABSENCE
The inaugural episode of our new podcast, Sound Propositions, features interviews (with Resina and Lea Bertucci) and field-recordings recorded during the 2018 UNSOUND festival in Krakow, Poland. (You can read my review of the festival here.) The theme of this year’s festival was “Presence,” and so that became the point of departure for my interviews, particularly the ways in which absences can also be felt as a “presence.”
Read more, including a tracklist and additional photos, at A CLOSER LISTEN.
Interviews recorded in Krakow, October 2018.
Produced and mixed in Napoli, February 2019.
Episode 2: DANCING ON THE HYPHEN
This episode features John Daniel, a Chicago-based musician best known for his ambient solo project, Forest Management. I caught up with him from his childhood home in Cleveland over the holidays. We discuss his latest LP Passageways (inspired by his childhood home), his influences, how his approach to music has changed, his new imprint Afterhours, and the importance of place, space, and community.
Interview recorded in Montreal, December 2018.
Produced and mixed in Glasgow, April 2019.
This episode features Joe McKay, profiling his label Dinzu Artefacts. We talk about his previous label, Spring Break Tapes!, his own artistic practice (as Monte Burrows), the importance of listening to the quotidian, and the persistence of physical media in an increasingly digitally mediated world.
Interview recorded in Montreal, December 2018.
Produced and mixed in Napoli, May 2019.
This episode features a wide-ranging discussion with Mimmo Napolitano, one of the organizers behind the concert series La Digestion in Napoli. As a musician, he produces challenging and dynamic sounds inspired by musique concrète and noise. Utilizing the Revox B77 reel-to-reel tape player together with no-input feedback and other sounds, SEC_ has cultivated a very singular approach to live performance. This episode brings together his work with music from just a few of the many exciting artists who Mimmo has helped to bring to Napoli over the last decade. Mixed in are live recordings made during Musica Sanae in Napoli, as well as field-recordings recorded around the city earlier in the year (mostly as a part of my [Useless Sounds] series). Headphone listening recommended.
Interview recorded in Napoli, March 2019.
Produced and mixed in Essaouira, May 2019.
This episode features a deep conversation with Toni Cutrone (best known as Mai Mai Mai) delving into all the various facets of his career. On the occasion of the release of his latest LP, Nel Sud, we met to discuss his southern Italian and Mediterranean roots, the rediscovery of Italian music from the 70s, and the difficulties (and joys) of running clubs and a cultural association in Italy’s capital. Cutrone draws an implicit link between the same eclecticism that is on display in the Roma Est neighborhood he calls home with the ancient links of circulation which unite diverse Mediterranean identities.
Produced in Calabria, mixed in Roma, June 2019.
Greyfade is a New York based label founded by Joseph Branciforte, dedicated to releasing high-quality physical and digital album length works of art. Greyfade’s inaugural release is the aptly titled LP1, a collaboration between Branciforte and the acclaimed vocalist Theo Bleckmann. In this episode, Branciforte discusses why Greyfade is emphasizing HQ downloads via their own web store and eschewing streaming services, how he regards launching a label as an extension of composition, collaborating with Theo Bleckmann, and working with max/msp as a performative tool.
Interview recorded in Montreal, June 2019.
Produced and mixed in New York, July 2019.
Episode 9: WHO CARES IF YOU DEEP LISTEN?
Andrew Khedoori talks about his latest series Longform Editions, featuring long form compositions designed to encourage deep listening. Very much organized against the prevailing streaming ecosystem which encourages short tracks and distracted listening, Longform Editions has released 32 works and counting.
Interview recorded in Napoli, February 2019.
Produced and mixed in Montreal, August 2019.
Many of our readers at ACL responded enthusiastically to the Anthology of Electroacoustic Lebanese music compiled by the Unexplained Sounds Group in 2018. Earlier this year, I reached out to label founder Raffaele Pezzella (Sonolygyst) to discuss his label, his radio show, his solo work, and why he keeps digging for unheard artists. We had a great chat, discussing his interest in dark ambient, conspiracy theories, and the technical pursuit of sound. I am also really into this playlist, if I don’t say so myself.
Interview recorded in Napoli, March 2019.
Produced and mixed in Montreal, August 2019.
The Liminaria festival ran for five editions between 2014 and 2018, culminating with a collateral event in Palermo as part of Manifesta 12. Based in the rural micro-region of Fortore, the frontier between Campania, Molise, and Puglia, Liminaria offered residencies and public presentations in which visiting artists worked with local residents to apply sound art methodologies to the unique geographies of this territory. Curators Beatrice Ferrara and Leandro Pisano take this period to reflect upon the successes and challenges of working in the rural south of Italy with virtually no budget, the important solidarities between the south of Italy and the Global South, and their recently published “Manifesto of Rural Futurism.”
Interview recorded in Monastero di Santa Chiara, Napoli, March 2019
Produced and mixed in Montreal, September 2019.
Episode 12: MAKING YOURSELF DISAPPEAR
And now for the big finale. Alvin Curran has been at the forefront of challenging musical convention for over half a century. His work has pushed back against the institutional stranglehold on culture, encouraging anybody to make music, anywhere and with anybody. A dominant tendency in his oeuvre has been finding new ways to activate spaces and cultivate active listening and music making. His recent sound installation Omnia Flumina Romam Ducunt serves as an entry point into a wide-ranging discussion encompassing many aspects of his long career.
Interview recorded in Alvin’s Studio, Rome, March 2019
Produced and mixed in Montreal, October 2019.
After a longer delay than I would have liked, the Sound Propositions podcast is back. I’m very pleased to finally share this conversation with Bruno Stucchi, graphic designer and co-founder of the Die Schachtel label. Stucchi reflects upon the evolution of the label, the suppressed history of Italian experimental music, and the continued importance of big ideas.
Die Schachtel is a partnership between Bruno Stucchi and Fabio Carboni, who met online during the peak of eBay record collecting, before Discogs and social media convinced us that there is nothing new under the sun. They exchanged records and, more importantly, they exchanged ideas, culminating in an ambitious excavation of the lost history of Italian experimentalism. The label debuted in 2003, and has since built a strong reputation for their meticulous editions, unquestionably one of the guiding lights of the current flourishing of experimental music in Milan and Italy more broadly.
Interview recorded in Stucchi’s studio in Milan, May 2019
Produced and mixed in Montreal, October 2020
Episode 14: LISTENING THROUGH MIMAROĞLU + İSTANBUL EKSPRES
We sit down with director Serdar Kökçeoğlu in Istanbul to discuss the 2013 Gezi Park protests, how the sounds of the city have inspired his work as a film maker, and how composer İlhan Mimaroglu was inspired by the activism of his wife, Güngör. Kökçeoğlu has recently completed his first full-length feature film, Mimaroğlu. Going beyond a biography of Turkey’s most famous composer, the film explores İlhan and Güngör’s relationship and the cross-pollination between avant-garde music and radical politics.
Interview recorded in Istanbul, March 2019
Produced and mixed in Montreal, October 2020
This mix accompanies the LISTENING THROUGH MIMAROĞLU episode, featuring director Serdar Kökçeoğlu discussing his work and the Mimaroglu project in particular. I originally had in mind a second episode with interviews with other musicians I met while in Istanbul, but for a variety of reasons not everyone was comfortable speaking for audio, or we were otherwise unable to find an opportunity to record. Of course there are also linguistic barriers. Save polished corporate aesthetics for the professionals, this podcast is more interested in something else. So instead I present İSTANBUL EKSPRES, a bonus mix of music from Istanbul artists old and new.
Kassel Jaeger, once little more than a mysterious German moniker producing captivating music for our favorite boutique labels, has since been revealed to be François J. Bonnet, composer, philosopher, and now director Ina-GRM, France’s legendary center for electroacoustic research. No longer shrouded in mystery, his prolific output has lost none of its power. In the last year he’s released some of the best records of his career, including collaborations with Jim O’Rourke and Stephen O’Malley. Having grown accustomed to hearing Bonnet’s voice as host of France Musique’s L’Expérimentale, it was a trip to have the opportunity to sit down with him while he was in Montreal for 2019’s AKOUSMA festival. In this episode, Bonnet speaks with us about the development of his music, various acousmatic diffusion techniques, the privilege of composing for the acousmonium, and balancing the legacy of the GRM with the music to come.
Interview recorded at Usine-C, Montreal, October 2019
Produced and mixed in Montreal, November 2020
We’ll return with three new episodes in January.
