The Pleasure of Emptiness

“John Cage, or, the Pleasure of Emptiness” (1977) Roberto Calasso Translated by Joseph Sannicandro For almost twenty years I have Continue reading →

Queer Noise

Sam Galloway and I co-wrote an article entitled “Queer Noise: Sounding the Body of Historical Trauma,” which was including in Continue reading →

Back to the Lab

In “Get on the Mic” Geoff Harkness argues that “the studio is essential to the culture [of rap] in ways Continue reading →

On the Pedagogical Organization of Record Collections

This post is a revised and expanded version, originally published at A CLOSER LISTEN as “The Problem with ‘My Husband’s Continue reading →

The engulfing machine of Henri Chopin

The engulfing machine of Henri Chopin By Domenico Napolitano Translated by Joseph Sannicandro Originally published December 1, 2016 on zetaesse Continue reading →

Improvised Order

Improvised Order: Hypertextual Media and Future Subjectivities This Tumblr page is based upon a seminar paper I wrote  for a Continue reading →

“Radiophonic Arts and the Problem of the Stage”

An article of mine, which I developed in 2015-2016, was published in the eContact journal in 2017. Read the entire Continue reading →

Review: Sound Unseen by Brian Kane

Published in the Journal of Sonic Studies: The attention to techne reveals the broader aim of the book, which is Continue reading →