Negativland has always been about media literacy; their sound collages and pranks are not only humorous but reveal something about how media function. But in recent years, as the world has changed around them, their relationship to this aspect of their practice has had to evolve. What was subversive in the 80s is mostly met…
France Jobin has been exploring quantum theory for many years now, an interest that has shown up in her compositions, sound installations, and work with VR. But the pandemic finally afforded the Montreal-based minimalist composer time for deeper study with a personal brain trust of physicists she’d assembled over the years. Jobin recently released Infinite…
Having first captured our attention with Monolithic Nuance (2018) for Longform Editions, Megan Mitchell’s Cruel Diagonals has continued to impress with each new work. With Fractured Whole, she set herself the task of producing an album using nothing but her voice as raw material. While she deserves recognition as a gifted vocalist, she deserves at least as much praise for her…
Andrea Belfi discusses his latest album, Eternally Frozen, a canon-based composition for percussion, electronics, and brass ensemble. Inspired by a visit to LA’s Museum of Jurassic Technology, Belfi draws upon the story of Deprong Mori, a mythological bat that could use its powers of echolocation to phase through solid matter, before being captured by an American researcher,…
Happy (very belated) birthday to us! Back in January of 2022 we celebrated the tenth anniversary of our blog. To celebrate, in this episode, we pull the curtain back a bit to talk with ten of the writers who have contributed to A CLOSER LISTEN since we began over a decade ago. Utilizing my idiosyncratic…
This episode features Giuseppe Esposito, a Neapolitan musician who runs the tape label Archivio Diafònico, an operation that mostly documents artists who are based in Napoli. The chaotic and bustling capital of the South of Italy undeservedly gets a bad reputation, and the city has a vibrant cultural scene and rich history that is sorely…
The long-running electronic duo Matmos have just released a gorgeous new LP, Regards / Ukłony dla Bogusław Schaeffer. Whereas their previous album, 2020’s The Consuming Flame: Open Exercises in Group Form, saw the couple collaging contributions from 99 friends recorded at 99 bpm, their latest is dedicated to the work of just one person: Polish…
Maria Chavez is a pioneer of Abstract Turntablism, a self-described practice she developed under the guidance of Pauline Oliveros‘ Deep Listening. Born in Lima, Peru and raised in Houston, she cut her teeth as a DJ spinning techno and drum & bass, but the male chauvinism of that scene roused her to experiment further with the materiality…
The second half of season 3 of the podcast is on the way, but this summer has been keeping me busy on all fronts. Coming up will be episodes with kranky, Jessica Moss, Archivio Diafonico, and a special episode celebrating 10 years of A CLOSER LISTEN. Until then, I thought it was past time to…
NORIENT SPECIAL004 –TIMEZONES EPISODE 07: MONTREAL Montreal, Your Ears Are My Island Episode 7 of the Timezones podcast series, co-initiated and co-produced by Norient and the Goethe-Institut. This episode portrays the diverse music scenes of Montréal. Producer Esther Bourdages traces their global connections and historical roots and explores the effects of gentrification on the city’s cultural life. …
RIP Daniel Dumile(July 13, 1971 – October 31, 2020) GENG PTP aka King Vision Ultra memorializes the legacy of the late MF DOOM, who died on Halloween day 2020. GENG shares some memories about NYC hip hop in the 90s, muses on the similarities between KMD and De La, and praises the enduring influence of…
Esther Bourdages is an art critic, radio journalist, independent curator, and musician based in Montréal. She is an improviser of extraordinary sensitivity, bringing a playfulness to her tactile manipulation of vinyl records, sometimes outright mishandling them. This freedom to destroy is indicative of a resistance to structure and formalism, but Esther’s work can’t be easily…