Sonic Topographies of the South: Rural Futurity as Resonance and Dissonance One of my earliest sonic memories is of the…
Montreal, Your Ears Are My Island
NORIENT SPECIAL004 –TIMEZONES EPISODE 07: MONTREAL Montreal, Your Ears Are My Island Episode 7 of the Timezones podcast series, co-initiated and co-produced by Norient…
From the Cistern
Reverb. Love it or hate it, its use has become ubiquitous since at least the advent of the bedroom studio. …
In C Remixed
Originally published at TSB in May 2010 Long time readers of this site might know that I am an enthusiastic…
Signs and Sensibility: On the Saturation Machine
Yet another seminar paper on Derrida, this one from Spring 2016. “For not all the parts of a thought can…
FOOD + MUSIC [MF DOOM TRIBUTE]
RIP Daniel Dumile(July 13, 1971 – October 31, 2020) GENG PTP aka King Vision Ultra memorializes the legacy of the…
BOB OSTERTAG ~ MOTORMOUTH
Originally posted on SSGmusic, September 22, 2011 Bob Ostertag has self-released Motormouth, an album made entirely with a Buchla 200e…
FREEDOM TO DESTROY
Esther Bourdages is an art critic, radio journalist, independent curator, and musician based in Montréal. She is an improviser of…
PLAUSIBLE DENIABILITY
DeForrest Brown, Jr. is a media-theorist, curator, and self-described rhythmanalyst. He releases digital audio as Speaker Music and under his…
UNFOLLOW ME
Max Alper is best known for La Meme Young, his popular Instagram account turning niche experimental music jokes into dank…
Sound Propositions 