An article of mine, which I developed in 2015-2016, was published in the eContact journal in 2017. Read the entire article here. Abstract: By the middle of the 20th century, composers of electronic and electroacoustic music had begun to reenvision the concert hall. Buttressed by theories of acousmatic sound articulated by Pierre Schaeffer and his…
Tenzier is a Montreal-based label that releases LPs of archival recordings significant to the history of late 20th century Quebecois experimental, electronic, and improvised musics. In their own words: Tenzier is a nonprofit organization which has as its mandate to preserve, celebrate and disseminate archival recordings by Quebec avant-garde artists. Since its founding in 2010,…
UnSound Propositions: Previews of Unsound 2018 ~ Presence A Closer Look: Unsound 2018 UnSound Propositions: Previews of Unsound 2018 ~ Presence In advance of PRESENCE, the 2018 edition of the renowned UNSOUND festival in Kraków, Poland, Joseph Sannicandro reflects upon this year’s theme, the history of the festival, and previews some of this year’s highlights. The very human drive…
Originally published at A CLOSER LISTEN Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy that can just as easily have come from a…
Originally published at www.acloserlisten.com Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy that can just as easily have come from a press release…
Originally published by A CLOSER LISTEN I realized that it can take other forms, others than the one imposed. Not just a section, but a circle or an ellipse, a closed path where you may see a cyclic repeat of events where not everything has a beginning and an end. Hysteresis is an ongoing work…
Originally published by A CLOSER LISTEN Onga and Boring Machines deliver another unexpected gem with WK569’s Omaggio a Marino Zuccheri, an homage to the Italian godfather of electronic music studios from a trio of contemporary artists and technicians. Marino Zuccheri is certainly worthy of such an homage, and his influence is felt around the world…
Originally published by A CLOSER LISTEN Giuseppe Ielasi has been one my favorite artists for a decade now, his reputation cemented in my mind by the blissful textures of August (2007) and the rhythmic sampledelica of Aix (2009), both for 12k. His Stunt series (2008-2013) further solidified this position with its singular take on turntable…
Originally posted by A CLOSER LISTEN Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. For the first time, the subject of this installment is a visual artist,…
Originally published at acloserlisten.com Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy that can just as easily have come from a press release…
Originally published at www.acloserlisten.com Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy that can just as easily have come from a press release…
Originally published by A CLOSER LISTEN Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several labels (Fringes, Bowindo, Schoolmap, and currently Senufo Editions) and…