[Originally published at acloserlisten.com] Our friends at Experimedia are currently doing a Spotlight feature on Giuseppe Ielasi. Head over to their site to check out 28 Ielasi-related albums, and check out this playlist highlighting the many sides of this very singular talent. I know this will appear very simplistic, but I think that choosing to…
Originally published at A CLOSER LISTEN Pete Swanson is perhaps best known as half of the pioneering American west coast Noise duo Yellow Swans, along with Gabriel Mindel Saloman. Yellow Swans disbanded in 2008, and Swanson kept a relatively low profile at first, self-releasing a few tapes and small-run LPs while the reputation of the…
This essay is included in the collected edition of Gianmarco del Re’s Postcards from Italy, originally published by Fluid-Radio and available for download as a PDF here. Postcards from Italy, the album, is the inaugural release from Oak editions, an independent music art label owned and managed by the ambient artists Francesco Giannico & Alessio…
Originally published by A Closer Listen a big circle drawn with little hands was created from a box of things sent to me by sylvain, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker…
Originally published at ACL http://acloserlisten.com/2013/02/04/sound-propositions-03-leonardo-rosado/ photo: Davide Lonardi Listen to an exclusive excerpt of Leonardo Rosado’s The conscious illusion: homage to Bergman The avant-garde of the 20th century radically expanded the potential of sonic arts in at least two important ways. With the advent of sound recording technologies, figures such as Pierre Schaeffer and Pierre…
First published at A Closer Listen Joseph Sannicandro interviews Italian soundshaper Matteo Uggeri (Hue, Sparkle in Grey) in the second installment of an ongoing series searching for a relationship towards technology that doesn’t fetishize equipment, but rather valorizes the creative process itself. There is a long tradition of fetishizing musical equipment, be it as artists, fans…
First published at A Closer Listen Joseph Sannicandro interviews Rutger Zuydervelt, akaMachinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is referring to the French language, but at its heart…