Riccardo La Foresta ~ ZERO, 999… The cover of Riccardo La Foresta’s ZERO, 999… depicts an impossibly tall spiral tower vanishing into the sky, an aptly disorienting visual metaphor for an album that dismantles traditional notions of drumming. Here, drums are not rhythmic anchors but vessels for breath, sustain, and drone—gestural yet devoid of traditional pulse, animated by instability…
Many of my favorite artists trained as architects, while many of my favorite composers had their origins in the rhythm section. I can’t help but try to find some commonality in this. Architects must strike a balance between being practical and imaginative, understanding both business and art, responding to real-world limitations and concerns which make…